FASHIONING JAMES BOND: Costume, gender and identity in the world of 007 by Llewella Chapman

Author:Llewella Chapman [Chapman, Llewella]
Language: eng
Format: epub
ISBN: 9781350164666
Publisher: Bloomsbury Publishing
Published: 2021-08-17T05:00:00+00:00

FIGURE 7.2 Holly Goodhead’s white silk gown inspired by Marilyn Monroe in The Seven Year Itch (1955). Moonraker directed by Lewis Gilbert © Eon Productions/United Artists 1979. All rights reserved.

Notes

1In Bond on Bond, Moore incorrectly attributes Angelo Litricio as tailoring his suits for The Spy Who Loved Me and Moonraker, 124.

2Alan Flusser, Style and the Man: How and where to buy fine men’s clothes (New York: Harper Collins, 1996), 346.

3Norman, Dressed to Kill, 107.

4Sullivan, Dressed to Kill, 141.

5Spaiser, ‘Poll: Which tailor dressed Roger Moore best?’, The Suits of James Bond, 3 January 2017, www.bondsuits.com/poll-tailor-dressed-roger-moore-best/ (accessed 12 July 2020).

6Spaiser, ‘Tan cotton safari sports coat in The Spy Who Loved Me’, The Suits of James Bond, 8 July 2011, www.bondsuits.com/tan-cotton-sports-coat-spy-who-loved-me/ (accessed 13 July 2020).

7Serena Sinclair, ‘Now, off-the-peg Paterson’, Daily Telegraph, 19 October 1964, 15.

8See Cosgrave, Hemming and McConnon, Designing 007, and Simmonds, Bond by Design.

9‘Ronald Paterson’, The Times, 17 July 1993, 19.

10Victoria and Albert Museum, n.d., http://collections.vam.ac.uk/item/O83747/skirt-suit-paterson-ronald-inglis/ (accessed 12 July 2020).

11‘Ronald Paterson’.

12‘Ronald Paterson’, Daily Telegraph, 15 July 1993, 23.

13BFI, S4498: Christopher Wood, The Spy Who Loved Me, revised final shooting script, 23 August 1976, 17.

14Cosgrave, Hemming and McConnon, 104.

15Matthew Priest, ‘The kandora explained’, Esquire (Middle East), 22 February 2016, www.esquireme.com/culture/kandora-explained (accessed 13 July 2020).

16BFI, S4498: 25.

17Ibid., 29.

18Ibid., 35, 38.

19Simmonds, 153.

20BFI, S4498: 35.

21Ella Alexander, ‘The name’s Bond’, Vogue, 6 July 2012, www.vogue.co.uk/gallery/designing-007-james-bond-exhibition-preview-barbican (accessed 14 July 2020).

22BFI, S4498: 60.

23Ibid., 19.

24Broccoli with Zec, When the Snow Melts, 254.

25For further details regarding the coproduction treaty, see Justin Smith, ‘Une entente cordiale? A brief history of the Anglo-French film coproduction agreement, 1965–1979’, in Lucy Mazdon and Catherine Wheatley (eds) Je T’Aime … Mon Non Plus: Franco-British Cinematic Relations (New York and Oxford: Berghahn Books, 2010).

26Elizabeth Castaldo Lundèn, ‘Barbarella’s wardrobe: Exploring Jacques Fonteray’s intergalactic runway’, Film Fashion & Consumption 5, no. 2 (2016): 194.

27Ibid.

28Cinémathèque Française (CF), D039-017: Jacques Fonteray, ‘Los Angeles Airport [s.d.] [Costume Model]’, n.d.

29Christopher Wood, Moonraker, draft screenplay, 19 May 1978, revised 29 August 1978 – pink, 25.

30Ibid., revised 29 August 1978 – salmon, 29.

31CF, D039-020: Fonteray, ‘Chasse [s.d.] [Costume Model]’, n.d.

32Ibid.

33Wood, revised 20 June 1978, 61.

34CF, D039-015: Fonteray, ‘Arrival in Rio [s.d.] [Costume Model]’, n.d.

35Wood, revised 19 May 1978, 65.

36CF, D039-019: Fonteray, ‘Black smoking [s.d.] [Costume Model]’, n.d.

37Wood, revised 1 August 1978 – blue, 75A.

38Ibid., revised 20 June 1978, 95.

39Ibid., revised 3 August 1978 – blue, 98.

40CF, D039-016: Fonteray, ‘Saharienne B [s.d.] [Costume Model], n.d.

41Ibid.

42CF, D039-018: Fonteray, ‘[Moonraker], [s.d.], [Costume Model], n.d.

43Wood, revised 1 August 1978 – blue, 15.

44Ibid., revised 29 August 1979 – salmon, 29.

45Fleming, Moonraker, (1955; London: Penguin Books, 2005), 123, 197.

46Ibid., 48.

47Wood, revised 20 June 1978, 18.

48Ibid., revised 15 August 1978 – blue, 51.

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